Friday, October 21, 2016

Birth of a Nation

Birth of a Nation

The momentum of this movie was sluggish, especially the first third. The problem with doing a true story, the ending (for the most part) is known.  The lead up to the climax drags on a bit and anticipation can be a distraction.  Early scenes were a combination of benevolent treatment of young Nat by his masters interspersed with brutalization of slaves by their owners. These horrible acts molded Turner’s character and would serve as a catalyst later on.

 His elders’ saw Nat Turner as a scared child and a future leader. Early on he was tutored to read, but the Bible was the only book slaves were permitted to read. In turn he became a slave preacher. To make money his owner took him to different plantations to preach to the slaves. The real purpose was not religious instruction but another form of control. At these plantations, the cruelties he witnessed seared his mind.  

We (most of us) have seen the brutality of slavery from films like” Twelve Years a Slave” and “Roots”, nevertheless some scenes depicted were hard to watch (I closed my eyes during one shot). If the “N” word bothers you or seeing lots and lots of lynchings disturbs you, this not your movie. I do not wish to diminish the historical importance the Nat Turner’s revolt but reading about it and seeing it are two different things. This is a heroic movie, but tough to watch.

The lead actor is Nate Parker. The director is Nate Parker; the author is Nate Parker and the producer is Nate Parker. His work is commendable; but perhaps another set of eyes would have brought a different perspective. Parker’s acting was commendable and in the horrific last scenes more demanding. He was more effective as an avenging messianic leader than a soft-spoken preacher.

Armie Hammer plays Turner’s master. They go from boyhood friends to beneficent master to slave whipping owner. Hammer is so laid back he sleeps in most scenes. He portrays the dilemmas of befriending a slave and holding him accountable for transgressions required in ways dictated at the time. Penelope Ann Miller played the wife of the slave owner, I did not recognize her. Time is a cruel master.

If you are not familiar with the Nat Turner revolt of 1831, see the movie first. The Nat Turner revolt is pivotal in American history; it portends the Civil War.


p.s.-This movie has nothing to do with W.D. Griffith’s “Birth of a Nation”-1915.

Tuesday, October 4, 2016

The Magnificent Seven (2016)




The last time there was this much testosterone in one place is when the Russian women’s track team were in town. With all the dead bodies the magnificent seven shot they used every bit of their hormone. As gruesome as this sounds the movie is uplifting and enjoyable. The bad guy, played by Peter Sarsgaad, is murdering the locals and pillaging the town for its gold. The good guy, Denzel Washington, who ironically is all dressed in black riding a black horse is hired by a widow seeking revenge for the death of her husband.

The movie harkens back to the old western films. The town is a bunch of rickety wooden buildings. There are sweeping landscapes with red rock formations shaped like castles. There were the usual western outposts: the general stores, and the undertaker looking for business. There are saloon women of questionable reputations. These “ladies” looked a hell of a lot better than the original 1960 movie (but what did I know I was 11 at the time).

 The cast is wonderful. Their comradery was a work in progress jelling together at the critical moment; they are sympatico. All seven play important roles, but Denzel Washington, Chris Platt and Ethan Hawke have air time. Denzel is a steely eyed gun slinger who leads the seven. Chris Pratt delivers comic banter, but he is a dead shot also. Ethan Hawke is a former confederate soldier haunted by past battles.  Peter Sarsgaad interpretation of evil is sublime. With his pinched sweaty face and beady eyes, he kills without compunction.  The body count in the movie is impress but without gore. The bitter taste of revenge is palatable
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What was impressive about the movie was the minor characters contributed to movie with their own back stories and heroic deeds. The widow, played by Haley Bennett, held her own in the gun fights. She was the spirit of the resistance and a natural leader
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Honorable mention goes to Denzel Washington’s body double. His trick riding was quite impressive. No way did Denzel do that ridding. Oh, do I assume too much? I am sure Denzel and I acquired our equestrian skills at the same place, the Merry-Go-Round at Coney Island.

Homage must be paid to Akera Kurasawa’s film the Seven Samari which inspired both versions of the Magnificent Seven. Domo Agrigato.