The Brutalist

 

The Brutalist

This is an excellent, rich film in its construction and acting. Adian Brody plays Lazlo Toth, a Holocaust survivor who immigrated to America. He is also a renowned architect but unknown in America. When he is discovered, he is shoveling coal in Pennsylvania. This is a tribute to the immigrant journey. New home, start over.

Brody’s character, Lazlo, affords Brody a range of emotions that he brilliantly performs. In the beginning, he is destitute, taking menial jobs to survive. His performance conveys the pain of an artist denied his talent. His fortune changes when he meets Harrison Lee Van Burn, played by Guy Pearce, a millionaire who knows his talent. Their relationship is complicated. Lee Van Burn’s wealth gives Lazlo a new opportunity to create architecture. Lee Van Burn assumes a superior attitude because of his wealth, but he is no match for Lazlo’s talent. To equalize this disparity, Lee Van Burn seeks to dominate Lazlo. The inequality of social class underlies the film.

Guy Pearce gives a tour de force performance. His tense face and clipped speech project his resentment of Lazlo’s talent; his wealth cannot compete. Guy Pearce knows how to use his body ( 2000 film Memento), and here, his posture is unbending, just like his character.

Felicity Jones is Lazlo’s wife Erzesbet, whom he had to leave in Hungary after the war. Her performance is sublime. After meeting Lee Van Burn and his dinner guests, they asked where she learned her English. Oxford, she replied.

The rest of the cast is wonderful. The cinematography gives the film a unique perspective.

n.b.-The term Brutalist refers to architecture as a style of building that uses exposed materials and geometric shapes to create a minimalist, angular, and bulky look. The term comes from the French word brut, which means "raw" or "untreated

 

Sinners

Sinners-Prime Videos

Sinners is a unique vampire movie. It has all the standard vampire clichés, but it also tells a story of family and community.  Michael B. Jordon plays a dual role as twins, Smoke and Stack, who are gangsters returning to their hometown from Chicago. They have plenty of money from their  Capone employment, and the premise of the story is set up a jute joint in their Mississippi hometown. The entire film is a drama that unfolds over one day and night. Jordon plays the role (roles) with just enough swagger to saddle the role of a gangster and a budding club owner. In one scene, he shoots two locals, one in the ass and the other in the knee, who look too closely into the cargo of his truck. But then he turns around and gives cash to a friend to have them patched up.

There is gore towards the end of the film, but for the most part, it is the story of a main character named Sammy. Sammy is the cousin of the twins and is a blues prodigy. A benefit of the film is that it has some great blues music. There is one dance number that transcends place and time. Dancers include a Zaouli dancer, a Juke joint blues performer, or a Jukin, as well as modern-day hip hop and ballet. It is an anthology of African American dance. With its blues and dance numbers, this film stands out from the typical vampire movie. The climax of the film is a showdown between humans and vampires. Many of the friends, lovers, and family have been bitten and transformed into vampires. The battle goes on until sunrise, when the vampires are vanquished by sunlight.

An interesting element of the film is that there is a Chinese couple who are friends with twins. In Western movies, there has not been enough credit given to the role that Asians have played in the West.

The film is worth seeing. If you see it, do not skip over the end credits.