Wednesday, April 2, 2014

Noah


This film is a mish mash of movie genres; fantasy, sci-fi, adventure and Bible stories. The problem is which reference point do you use? In a sci fi movie like Star Wars you have no problem accepting a Wookie, a Death Star or a guy with a fish head playing a clarinet in a dive since your reference point is sci fi. In Noah, no matter how hedonistic you may be, your reference is the Bible. When fantastic creatures are on screen they are just incongruent. Bible stories themselves have elements of fantasy but there is a commonality to them. The fantasy in this movie falls outside of that commonality. When I saw the Watchers (fantasy creatures), I sat up and said “what the heck” (I did not say heck, I said something else). I guess the writers could not get beyond spit balling the script.

Russell Crowe does not look like a 500 year old pre flood patriarch, rather he looks like He-Man. He has on going battles with the bad guy king Tubal-Cain played by Ray Winston; a British actor who is basically a thug with an Equity card. All the actors are very good. This is about the third time Jennifer Connelly is married to Russell Crowe on screen. Antony Hopkins, Methuselah, is Noah’s grandfather and does some wizardry with Emma Watson (go figure) who is Noah’s adopted daughter. Methuselah gives Noah magic beans (sounds familiar) to get the Ark started.

The Ark looks like a failed wood shop project. It is a long tar covered rectangular box of logs and timber. The animals came two by two, or so they say. Then Noah’s family goes throughout the Ark with incents putting the animals to sleep. Fortunately humans are not affected. This biblical anesthetic is complemented by iron, bamboo, tea, gun powder and iron pipes all in the same time line. Even fantasy needs some rationale and order. The writers never heard of PBS.


Towards the latter part of the story the film focuses on solid dramatic acting without gimmicks. It is a key climatic moment and very well done. Is it that well done to carry the film? I would not go so far. In the end to legitimize the film the writers steal two sub plots directly from the Bible. Noah is seen picking grapes and getting drunken from his five day old wine. In the Bible Noah is the first drunk. The script alludes to the Curse of Ham (Ham is Noah’s son) but it needs to be more revealing (see Genesis 9:20). It is odd that a movie so divergent wants to end on the right side of God. May be sacrificing the writers is justified?

Wednesday, March 5, 2014

The Great Beauty


Is Felliniesque a real word?  Many critiques have compared The Great Beauty to Fellini, but given my limited knowledge of Fellini’s films I will not be one of them.

I understand what the Great Beauty is, by what it is not. It is not Cinema Paradiso, ILPostino or Malena. These films have directness, transparency and familiarity. They are as sophisticated and rich as the Great Beauty but their feet are on the ground.

The Great Beauty mocks superficialness. Jep (Tony Servillo) who is a successful upper class journalist lives life without attachments; no wife or children.  He goes to bed in the morning rises in the afternoon and in the evening goes to baccnal parties with blaring techno music and frenetic dancing by over aged people who should know better. Good life right? So why does he look unsatisfied? His life is filled with emptiness. At a point in life you look over your shoulder to see life lived, and at sixty five Jep hopes he sees something worthwhile.

He mocks members of his own class. For most of the film he wears a mask of disdain and when he laughs it is not clear if it is at others or himself. He carries himself with glib casualness. His loneliness is evident when he asks a magician to make him disappear. The closest he comes to a familial setting is sharing a bowl of soup at night in his boss’s office who is a female dwarf (Felliniesgue?). He also reflects on a love lost. This is a guy who you assume had copious conquests but he still fondly remembers a bare breasted beauty fifty years ago.


The film does not specifically identify the Great Beauty. Another wonderful Italian film gives some hint, Life is Beautiful.  Life is beautiful and full by loved ones and family.  Unfelliniesque, yes?

Saturday, March 1, 2014

Philomena


This movie lives up to its billing. It is simple, moving with outstanding acting. This is basically a two man play (ah, woman and man). Julie Dench and Steve Coogen are the protagonists. Dench is a Dame, after this performance she should be a Gran Dame.

Her performance is nothing short of a master class in acting. She can come off as an old ditty delighted in reading tear jerker pulp novels and next she is a strong willed mother researching for her son after fifty years. Even her wrinkles give a great performance. As with great acting it is the small nuances that leave their mark. Her held back tear is a door to her grieving heart. This soft old woman is made of iron.  We all think we would suffer the tribulations she endures for her child; keep that though.

One can argue Steve Googan is her straight man, but he is more than that. He is the Oxford educated journalist to her retired simple nurse. There are endless jokes to be made and there are tender and funny moments between them. Along their journey they form a bond of respect and affection.

This is a true story and if you leave the theater without shedding a tear either you were asleep or dead. I do not have much to say about excellence, it speaks for itself. See the movie.


Spoiler alert- The bad guys wear black and white and walk like penguins. 

Sunday, February 23, 2014

The Monuments Men


With his mustache George Clooney looks a bit like Clark Gable. The retro look is appropriate since the movie harkens back to the war movies of the 60’s and 70’s such as the Longest Day and The Guns of Navorone.  At its core this is a buddy movie of a bunch of guys looking for stolen art. The buddy part makes this movie watchable since just looking for stolen art would make it like a PBS special (just like the real PBS special).

The casting makes for good humor and their chemistry is genuine. Clooney is the leader, behind and in front of the camera. Always dapper, he wore a tie during the whole war. Matt Damon is a curator from the Met cris-crossesing Europe looking for the art. He is so neat and clean not even in the field or in the mines does he get dirty (so how did Private Ryan get short changed?). Damon’s liaison in Paris is Cate Blanchett, a pinch faced marginalized curator (yikes!).  Rounding out the cast is John Goodman as a sculptor. I could not get the image of Goodman as Fred Flintstone working in the rock quarry out of my mind; type casting.  Bill Murray did a Bill Murray. Then there is the ubiquitous Jean Dujardin, who plays a French solider (Viola!!). He is dashing in a beret.

Chasing and finding stolen art is the back bone of the movie. Michelangelo’s Madonna and Child of Bruges and Van Eyck’s Ghent Triptych were costars of the movie. Other luminaries mentioned were Veneer, Vazquez, and Frans Hal (Picasso didn’t make it, he was torched). Passing Art History 101 is not a prerequisite but it don’t hurt.

The Nazis were there but not there. They were like a bad order in the background. One scene was ironically humorous. Question, what does a Nazi officer hiding as a farmer in the country side do with priceless works of art? You will not believe it.

No one’s acting is outstanding or memorable, but as a group they make an enjoyable and watchable movie. It is worth the price of a movie, but if you want to splurge go to the Met and visit the rest of the caste.


P.s.-There is a very nice surprise in the last scene.

Monday, February 10, 2014

The Lego Movie


Me and my inner child went to see the Lego Movie. This is a funny and very clever movie. For bits of plastic these characters have distinct personalities. The script is excellent and the voice actors bring the Lego pieces to life. Morgan Freeman is the Gandalf dude. Chris Pratt plays Emmitt a clueless, not too bright, proto-hero who is guided and protected by Lucy, played by Elizabeth Banks. Will Farrell plays evil President Business with uncharacteristic restraint (he mercifully keeps his shirt on). The focus of the movie is Emmitt’s journey of transformation and pitted against the perils of President Business.

The movie is a mélange of genres and characters. There is the Lord of the Rings, Pirates of the Caribbean, Cowboys and Indians and super heroes (all DC). A lot of the jokes had to do with what these characters traditionally do. A character specific to the movie is Bad Cop, played by Liam Neeson, who is the enforcer for President Business.

The plot is not simple and keeps your attention. The ending is a bit unexpected. The animation is outstanding. The movie incorporates the different Lego building sets as part of the movie and the combination of characters makes the movie funny.

This movie does not have the high adult crossover appeal like Toy Story. Toy Story appealed to children and adults with the kids oblivious to the double entendres of Woody and Bo Peeps. For kids and young adults, the Lego Movie is a home run. For the rest of us, tap into your inner child.

Saturday, January 25, 2014

2014 Oscar Nominations

My picks are in yellow. For categories I did not know I left blank. 


Best picture 
"12 Years a Slave" 
"The Wolf of Wall Street" 
"Captain Phillips" 
"Her" 
"American Hustle" 
"Gravity" 
"Dallas Buyers Club" 
"Nebraska" 
"Philomena"

Best director 
Steve McQueen -- "12 Years a Slave" 
David O. Russell -- "American Hustle" 
Alfonso Cuaron -- "Gravity" 
Alexander Payne -- "Nebraska" 
Martin Scorsese -- "The Wolf of Wall Street"

Best actor 
Bruce Dern -- "Nebraska" 
Chiwetel Ejiofor -- "12 Years a Slave" 
Matthew McConaughey -- "Dallas Buyers Club" 
Leonardo DiCaprio -- "The Wolf of Wall Street" 
Christian Bale -- "American Hustle"

Best actress 
Amy Adams -- "American Hustle" 
Cate Blanchett -- "Blue Jasmine" 
Judi Dench -- "Philomena" 
Sandra Bullock -- "Gravity" 
Meryl Streep -- "August: Osage County"

Best supporting actor 
Barkhad Abdi -- "Captain Phillips" 
Bradley Cooper -- "American Hustle" 
Jonah Hill -- "The Wolf of Wall Street" 
Jared Leto -- "Dallas Buyers Club" 
Michael Fassbender -- "12 Years a Slave"

Best supporting actress 
Jennifer Lawrence -- "American Hustle" 
Lupita Nyong'o -- "12 Years a Slave" 
June Squibb -- "Nebraska" 
Julia Roberts -- "August: Osage County" 
Sally Hawkins -- "Blue Jasmine"
Best original screenplay 
"American Hustle" -- David O. Russell and Eric Warren Singer 
"Blue Jasmine" -- Woody Allen 
"Her" -- Spike Jonze 
"Nebraska" -- Bob Nelson 
"Dallas Buyers Club" -- Craig Borten and Melisa Wallack

Best adapted screenplay 
"12 Years a Slave" -- John Ridley 
"Before Midnight" -- Julie Delpy, Ethan Hawke and Richard Linklater 
"The Wolf of Wall Street" -- Terence Winter 
"Captain Phillips" -- Billy Ray 
"Philomena" -- Steve Coogan and Jeff Pope

Best animated feature 
"The Wind Rises" 
"Frozen" 
"Despicable Me 2" 
"Ernest & Celestine" 
"The Croods"

Best foreign feature 
"The Hunt" (Denmark) 
"The Broken Circle Breakdown" (Belgium) 
"The Great Beauty" (Italy) 
"Omar" (Palestinian territories) 
"The Missing Picture" (Cambodia)

Best music (original song) 
"Frozen": "Let it Go" -- Robert Lopez and Kristen Anderson-Lopez 
"Mandela: Long Walk to Freedom": "Ordinary Love" -- U2, Paul Hewson 
"Her": "The Moon Song" -- Karen O, Spike Jonze 
"Despicable Me 2": "Happy" -- Pharrell Williams 
"Alone Yet Not Alone": "Alone Yet Not Alone" -- Bruce Broughton, Dennis Spiegel

Best music (original score) 
"Gravity" -- Steven Price 
"Philomena" -- Alexandre Desplat 
"The Book Thief" -- John Williams 
"Saving Mr. Banks" -- Thomas Newman 
"Her" -- William Butler and Owen Pallett



Best cinematography 
"Gravity" -- Emmanuel Lubezki 
"Inside Llewyn Davis" -- Bruno Delbonnel 7
"Nebraska" -- Phedon Papamichael 
"Prisoners" -- Roger Deakins 
"The Grandmaster" -- Phillippe Le Sourd

Best costume design 
"The Great Gatsby" -- Catherine Martin 
"12 Years a Slave" -- Patricia Norris 
"The Grandmaster" -- William Chang Suk Ping 
"American Hustle" -- Michael Wilkinson 
"The Invisible Woman" -- Michael O'Connor

Best documentary feature 
"The Act of Killing" 
"20 Feet From Stardom" 
"The Square" 
"Cutie and the Boxer" 
"Dirty Wars"

Best film editing 
"Gravity" -- Alfonso Cuaron, Mark Sanger 
"12 Years a Slave"-- Joe Walker 
"Captain Phillips" -- Christopher Rouse 
"American Hustle" -- Jay Cassidy, Crispin Struthers and Alan Baumgarten 
"Dallas Buyers Club" -- John Mac McMurphy and Martin Pensa

Best makeup and hairstyling 
"The Lone Ranger" -- Joel Harlow and Gloria Pasqua-Casny 
"Jackass Presents: Bad Grandpa" -- Stephen Prouty 
"Dallas Buyers Club" -- Adruitha Lee and Robin Mathews

Best production design 
"12 Years a Slave" -- Adam Stockhausen and Alice Baker 
"The Great Gatsby" -- Catherine Martin and Beverley Dunn 
"American Hustle" -- Judy Becker and Heather Loeffler 
"Gravity" -- Andy Nicholson, Rosie Goodwin and Joanne Woollard 
"Her" -- K.K. Barrett and Gene Serdena





Best visual effects 
"Gravity" 
"The Hobbit: The Desolation of Smaug" 
"Star Trek Into Darkness" 
"Iron Man 3" 
"The Lone Ranger"

Best sound mixing 
"Gravity" 
"Captain Phillips" 
"Lone Survivor" 
"Inside Llewyn Davis" 
"The Hobbit: The Desolation of Smaug"

Best sound editing 
"Gravity" 
"All Is Lost" 
"Captain Phillips" 
"Lone Survivor" 
"The Hobbit: The Desolation of Smaug"

Best short film, live action 
"Aquel No Era Yo (That Wasn't Me)" 
"Avant Que De Tout Perdre (Just Before Losing Everything)" 
"Helium" 
"Pitaako Mun Kaikki Hoitaa? (Do I Have to Take Care of Everything?)" 
"The Voorman Problem"

Best short film, animated 
"Feral" 
"Get a Horse!" 
"Mr. Hublot" 
"Possessions" 
"Room on the Broom"

Best documentary short 
"CaveDigger" 
"Facing Fear" 
"Karama Has No Walls" 
"The Lady in Number 6: Music Saved My Life" 
"Prison Terminal: The Last Days of Private Jack Hall"


Jack Ryan: Shadow Recruit

Jack Ryan: Shadow Recruit

Now that the Oscar nomination season is behind us we can enjoy films with mindless violence and gratuitous sex. Regrettably this was not one of those films. There was more action than mindless violence with the exception of the opening scene which gave false hope of mayhem. The only sexy thing in the movie was Kiara Knightly. She is very attractive, but a pole dancer she ain’t.

The plot is somewhat complex, but thankfully there are enough bullets and explosions that your grasp of high finance does not strain your brain. The arch Russian enemy is played by Kenneth Branagh (he also directed). He typically plays a sophisticated Englishman with a public school accent. He tries hard to look menacing but with his pudgy London tanned face, he is not convincing.

Chris Pine (Star Trek/Captain Kirk) is the prequel Jack Ryan. He sports his signature cockiness. As with the other Jack Ryans (Alec Baldwin, Harrison Ford and Ben Affleck) he uses his analytic prowess to source out clues. The ladies will not be disappointed.

Kevin Costner is reviving his movie career. He is the CIA handler who recruits Jack Ryan.  Costner always plays his roles with his trade mark cool confidence and this works well for him here.  In this film he supplements his confidence with a sniper rifle and deadly aim. There is a sort father son relationship between Costner and Pine, but Costner early recognizes Ryan’s analytical skills.

Kiara Knightly is Ryan’s fiancĂ©. Not to give away any spoiler details she gets into the mix because of plot necessity. She plays the strong wily female with a dash of moxie. She does a good job but this role was a cake walk for her.


The plot involves high finance so you have to pay attention in the beginning. Mercifully the rest of the movie racks up body counts and there is some impressive pyrotechnics. The movie has a pacing problem, between finding clues and action. The film is more of like a caffeine buzz rather than an adrenaline rush. The two main locations are Moscow and Manhattan (it is fun seeing some of the old buildings). This is a nice winter movie, but if it is too cold stay home and wait for Netflix in the mail.