For best picture the Golden Globes has Birdman under the
category of comedy. The category should be black comedy. The film is about a
former movie star whose fame came from playing the superhero Birdman. Now in
his sixties he wants to revive his career and find meaning for himself as a Broadway
actor/writer, directing himself in his own play. He is a man looking for
resurrection.
There are parallels between Michael Keaton and his character
Riggan Thomson (aka Birdman). Like Thomson, Keaton was a big star in the late
80’s and early 90’s with two Batmen movies under his belt and playing the lead
in the iconic movie Beetlejuice. Even his minor movies were watchable. Then
lead roles stopped coming and his star faded. Keaton has firsthand motivation
to play this role. He is nominated for best actor by the Golden Globes.
Keaton’ reputation
was as a lighthearted comedic roles. When he branched out as Batman the role was
confident and in control. Playing Riggan, Keaton is in uncharted water. Riggan
is an emotional train wreck due for a collision. Keaton delivers an intense and very paranoid (psychotic)
performance. The script plays with your perception. Keaton coexists in the
fields of madness and sanity. His hallucinations are a product of doubt and
insecurity. His alter ego, Birdman, eggs him on to go back to the big screen
and leave the uncertainty and pettiness of Broadway. Keaton desperately wants
the legitimacy of Broadway more than a big box office. His character has two personas,
Riggan the actor and Birdman. Contrary to physics they occupy the same space.
Managing this conflict gives Keaton’s performance tension and the chance for
his own resurrection.
Edward Norton plays a huge prick. He is the matinee idol
that sells ticks, but his conceit and self-centeredness make him loathsome. What
is worse he is a good actor. Norton plays the role with aplomb. It takes him
out of his comfort zone as being mild mannered and almost nebbish. With his
thick ego he has no compunction standing nude in front of a mirror in a
dressing room with his privates strategically shielded. He steals scenes and infuriates his co-stars. There
is a great fight scene between Keaton and Norton seminude in their Fruit of the
Loom underwear; Yuk. Norton was a bit over the top, but he relished the role.
Emma Stone is super. I think she gave one of the best
performances of the movie. She looks fragile and just came out of rehab. She is
Riggan’s daughter and their relationship is on the mends after years of neglect
and divorce. Her anger is explosive and her deliverance is
muscular; she is in your face. She also plays coy with Norton’s character and
gets under his skin, maybe more. If not the femme fatale, she is the femme to
watch.
Much has been said about Zack Galifianakis’s performance as
being normal and not looney. Bravo for acting like a human. With his weight
loss he looked good.
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