The King of Staten Island June 16, 2020
This is not a funny movie. It is a semi-autobiographical story
about Pete Davidson. His father died at 9 11 and much of the film deals with
painful consequence of this event. Pete’s character is a slacker named Scott. He has self-destructive
traits attributable to his father’s death. What makes the memories worst is
that he lives on Staten Island where half the population are firemen and the other half cops. Also his mother,
Marisa Tomei, is dating a fireman. When a boy loses his father at a young age he
has to blame someone to answer the “why” question. With age he understands there may be no answer, but not Pete.
The first half of the movie is rough with Pete doing drugs
being subjected to tough love and bad relationships. The latter part of the
film is a redemption movie. Pete goes from the bottom to finding acceptance
from the people he pissed off. The director is Judd Apatow (Knocked Up,
Trainwreck, Superbad) and this is probably his most unfunny movie he has made. There
were some comic scenes, but overall this is a dark tinged drama
.
Pete Davidson pulls off the dramatic acting. Given his background
his angst is genuine. He delivers his performance in his usual phlegmatic style
with eruptions of rage. He has reprehensible traits. He uses drugs, has no job
or interest in work, a lazy lover and has a far fetched dream of opening a tattoo
restaurant. As a counterbalance , in one scene he is taking two kids to school
and he is very tender and caring with them, like a father.
Marisa Tomei plays the mother. This was an easy role for her
in the fashion of Spiderman’s Aunt May. Since I know nothing of Staten Island
culture I can not comment on her accent or style of dress. Steve Buscemi plays
a fireman, which in his past life he actually was. He is a bridge between Pete
and his late father since they worked together. It would have been nice to have
more meat on his role.
Since we are in a movie desert any mirage is welcomed. But
this mirage costs $20.00 bucks. Thank you Amazon.
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